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In the 2026 season, Massimiliano Luchetti's evocative oil paintings, imbued with refined Turnerian echoes and subtle nautical visions, enter into dialogue with Maximo Pellegrinetti's marble sculptures, surreal graphics, and conceptual explorations. These works, with their profound existential and ideological scope, include a red booth exclusively for love calls.
Completing the picture are Libero Maggini's sculptures, which, using diverse materials, poetically explore childhood, human masks, and anthropomorphized animal figures, suspended between fairy tale and domestic intimacy.
Maximo Pellegrinetti was born in Viareggio in 1960.
In 1982, he graduated in Sculpture from the Academy of Fine Arts of Carrara.
He is currently Professor of “Technology and Use of Marble, Stones and Hard Stones” and Director of the Sculpture Department at the Brera Academy of Fine Arts.
Maximo Pellegrinetti has exhibited in numerous shows in Italy and abroad, and his works are included in private and public collections in Italy, France, Germany, Belgium, China, Korea, Japan, India, and the United States.
His artistic practice, always attentive to the contemporary art debate, is characterized by a strong spirit of research focused on versatile materials and stylistic solutions. In Maximo Pellegrinetti’s work, the creative process evokes shifting sensations and moods: at times detached and ironic, at times intensely participatory, and at others imbued with symbolic meaning.
Libero Maggini was born in Viareggio in 1970 into an artistic family, with a sculptor father and a ceramist mother. He is an artist and sculptor who grew up amid the vibrant creative atmosphere of Versilia. After attending the Art High School of Lucca, he completed his studies at the Academy of Fine Arts of Carrara and began his professional career alongside his father, creating stage sets for the Puccini Festival.
His artistic language is grounded in complete creative freedom which, starting from drawing, leads him to shape and experiment with a variety of materials. His connection to his homeland is reflected both in his collaborations with the renowned workshops of Pietrasanta and in his most famous permanent public work, Maggio: a group of five playful bronze sculptures commissioned by the Viareggio Carnival Foundation in 2008, now evocatively installed on the rocks of the city harbor.
Through this combination of artisanal tradition and personal research, Maggini has exhibited his creations in prestigious exhibition spaces as well.
